What follows is a repost of an article I wrote to promote the publication of my first novel, Until the Last Dog Dies (Night Shade/Skyhorse), which was released in November of 2017, exactly one year after the election of Donald Trump. The novel is about a global pandemic involving a virus that attacks only the
humor centers of the brain. The virus doesn’t kill you; it just wipes away your
sense of humor. Until the Last Dog Dies
is told from the point-of-view of a young standup comedian living in Los
Angeles. I think you might find that this novel ended up being prescient in many
unexpected ways...
No Jokes, Please: The Weird, Crooked Road to Until the Last Dog Dies
Rachel Pollack, the World Fantasy Award winning author of
such sui generis novels as Unquenchable Fire and Temporary Agency, kickstarted my novel Until the Last Dog Dies
without
realizing it. When I was attending the
Clarion Writers Workshop in the summer of 1996, during the final
week of
the workshop, Rachel gave the students a unique assignment: to dream up
an idea that was unimaginable. My fellow student, Justina Robson, came
up
with the following: “Imagine a universe
without the concept of God.” This
intrigued me, as the implications of the concept were so vast that they
seemed
to defy any attempt at fictionalization.
A few days later, while waiting in an unusually long line at
the Seattle airport during that pre-9/11 era, I glanced up and saw something
I’d never noticed before: a glowing,
rectangular sign that read “NO JOKES, PLEASE.”
Of course, the purpose of the sign was to discourage people
from making casual comments about having thermonuclear warheads tucked away
inside their luggage. Haunted by
Rachel’s mind-bending assignment, however, I chose to interpret the sign in a
completely different way. The
characters, the locale, and the basic plot of a most peculiar tale began to
percolate in my brain at that moment. The first few bricks in the weird, crooked road to Until the Last Dog Dies had just begun to be laid down.
When I eventually began writing the story that became Until the Last Dog Dies, I asked myself,
“How would the world look if people began losing their innate sense of humor,
slowly, over a period of months or even years due to a virus that affects only
the humor centers of the brain?” My
initial assumption was that this would require complex world-building skills on
my part. Two seconds later, the obvious,
dreadful answer came hurtling back at me: “It would look exactly like the
world in which you’re living now.” No
world building skills required. Just
open your eyes and look. What evolved from this process was a contemporary
novel built on what at first appeared to be a completely science fictional
concept. The result: a science fiction novel for people who don’t
like science fiction.
Almost all my short stories and novellas were written within
a relatively short amount of time. The
road that led to Until the Last Dog Dies,
however, branched off into several byways, almost all of them dead ends. At one point this novel was over six hundred
pages long and told from the point of view of various comedians. I knew, instinctively, that something was way
off with this approach.
Sometimes you have to back away from something to get a more
complete view of it, so that’s what I had to do with Until the Last Dog Dies. I
put the manuscript away for a while, refused to even think about it. But I discovered that I had to return to the idea when I realized that the world around me
was growing more and more like the “slant” world of Until the Last Dog Dies. Eventually,
I realized what should have been obvious from the beginning: I was overcomplicating an idea that’s main
asset was its utter simplicity. It
became clear—in a dramatic flash of heavenly illumination—that the entire story
had to be told from the point of view of Elliot Greeley, who was always
destined to be the main protagonist. For
you writers out there who find yourselves stalled on a project, and you’re not
quite certain why, just know that the answer to your problem will often reveal
itself to you when you stop thinking about it.
This novel ends with the Presidential election of 2016,
despite the fact that I finished writing it during the summer of 2015. By the spring of 2016 the novel had been sold
to Night Shade/Skyhorse, so it was very peculiar to watch some of the stranger
aspects of this story come to life in the real world while this book was
heading towards publication. In fact, if
I may say so myself (and I will), I don’t think there’s a more relevant novel
than Until the Last Dog Dies in
bookstores at the moment, though I wish this was not the case. If you
hadn't noticed, the trend these days—from
both the left and right ends of the political spectrum—seems to be an
extreme
push toward UTTER AND COMPLETE SERIOUSNESS. At one time the court jester—the standup comedian—was the one person on
the planet who could get away with skewering an entire culture without
being
burned at the stake. Now even the most
successful comedians are on Imagination Lockdown, as they need to spend
more
time worrying about social media shit storms and government censorship than doing what they do
best: telling the truth (as Emily Dickinson once
famously wrote) by telling it “slant.” Ernest
Hemingway once said that you know you’re living in a banana republic if
the
buses don’t run on time, but you can buy a lottery ticket on every
corner. I would amend that statement by saying you know you’re living
in a banana republic when even the comedians are too
terrified to be offensive. As Charles
Fort, one of my main influences, once wrote, “I do not know how to find
out
anything new without being offensive.”
If Ezra Pound was correct when he said that the poet is “the
antennae of the race,” then poets—artists of all sorts,
including standup comedians—have to do everything they can to resist this trend
toward UTTER AND COMPLETE SERIOUSNESS that attempts to overwhelm the
imagination of an entire society with fundamentalist restrictions forged in the
hollow minds of creatively-challenged automatons.
Or as W.C. Fields once said: “I never met a blind man who wasn’t a son of a bitch.”
The ultimate cure for the humor virus is A) resisting the
order of the day and, of course, B) buying a copy of Until the Last Dog Dies. Feel free to laugh your ass off… yes, even if the humor feels somewhat
“inappropriate” at times. The truth, you
see, is that nothing’s inappropriate
in the ethereal realms of the human imagination.
Oh, and those of you who find yourselves reading the novel
with a leaden expression plastered on your roadmap of a mug… well, you may want
your family doctor to test you for telltale signs of that pesky humor
virus. As you will soon learn when
reading Until the Last Dog Dies,
those unfortunates infected with the humor virus are often the last to realize
it. Beware.
Now let’s end on one of my favorite quotes, profound enough
to be a religious mantra:
“Because you know
what they say about honey bears/When you shave off all their baby hair/You've
got a hairy minded pink bare bear.”
--Lou Reed, “Andy’s
Chest,” 1972
To buy a copy of Until the Last Dog Dies, click HERE.
PRAISE FOR
UNTIL THE LAST DOG DIES
“By turns mystical and
ashcan-real, insanely funny and grimly ghastly, Guffey’s novel cuts a zigzag
trail through conventionality as it follows Elliot Greeley in his half-serious,
half jesting quest for some deeper meaning to existence. If you build your life
on laughs, what happens when the laughs disappear? Kissing cousin to Max
Barry’s novel Lexicon, about killer language, and to Ben
Marcus’s The Flame Alphabet, about language killed, Guffey’s
standup debut is standout speculative fiction.”
--Paul DiFilippo, Locus
“Taps into the cultural zeitgeist…. A nihilistic
satire that takes the idea that death is easy and comedy is hard to a whole new
level.”
--Kirkus Reviews
“Guffey’s debut takes full advantage of an
absurd, unexpected premise, delivering one of the strangest dystopian novels in
a year filled with them.”
--B&N Sci-Fi &
Fantasy Blog
“Guffey’s sardonic, cleverly written comedic
debut relies heavily on absurd synchronicity, bold characterization, and heavy
irony to make its points about the apocalyptic nature of American
humorlessness.”
--Publishers Weekly
“Not only a novel unique to this [political]
moment, but one that is to comedy what Catch-22 was to war. One
of the great books of the year.”
--Adam-Troy Castro, Sci
Fi Magazine
“A playful amalgam of Andy Kaufman and Philip K.
Dick by way of Shaun of the Dead.”
--Damien Lincoln Ober, author
of Doctor Benjamin Franklin's Dream America
“This satirical tale explores the role of comedy
in maintaining a healthy democracy…. A clever concept.”
--Kirkus Reviews
Is the unforgiving scythe of the Grim Reaper coming for those who do not avail themselves of the hermetic wisdom contained within Until the Last Dog Dies? Who the hell knows? The universe is a vast entanglement of strange and unlikely possibilities...
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