Tuesday, May 22, 2012

Dr. Alan Cantwell Endorses Cryptoscatology


The first reviews are coming in.  I was very pleased to receive this endorsement from Dr. Alan Cantwell (who influenced my research very early on):

"A sane and penetrating analysis into the murky realm of contemporary conspiracy theory.  Guffey is sure to inform and entertain you with Cryptoscatology."

— Alan Cantwell, M.D., author of AIDS & the Doctors of Death. 

Cantwell's book, AIDS & the Doctors of Death, was one of the first guideposts leading me down this strange and wonderful path of questioning consensus reality at every turn.  You can learn more about Dr. Cantwell and his work here.  

Thursday, May 17, 2012

DHS Won't Explain Its Order of 450 Million Hollow Point Bullets

A recent (and delightfully cheery) article from rt.com:

Department of Homeland Security Won't Explain Its Order of 450 Million Hollow Point Bullets

After 9/11, the United States government created the Department of Homeland Security to prevent future acts of terrorism and deal with other domestic issues. Now in order to keep doing such, the agency is asking for 450 million hollow point bullets.
The DHS has signed off on an "indefinite delivery" from defense contractors ATK that will include, for some reason, nearly 500 million high-power ammunition for .40 caliber firearms. The department has yet to discuss why they are ordering such a massive bevy of bullets for an agency that has limited need domestically for doing harm, but they say they expect to continue receiving shipments from the manufacturer for the next five years, during which they plan to blow through enough ammunition to execute more people than there are in the entire United States....
Read the rest of the article here
*****
The following Letter to the Editor from TimesReporter.com (posted on 5/4/12) offers an intriguing viewpoint on the above article:
De-industrializing of this once-great country, with free trade and shipping of jobs overseas, contributes to more national debt plus a trade deficit which is mathematically impossible to pay.
This race war now looming is being instigated to divide the American people, funded and fueled by this government.
An order of 450 million rounds of 40-caliber ammunition has been made by Homeland Security, now infiltrated by Muslim brotherhood.
A biological warfare facility located one mile off New York’s east coast is now being or has been moved to Manhattan, Kan., right in the middle of our heartland and what is called tornado alley. Diseases have escaped from the facility such as Lyme disease and others, but because the wind blows west to east, most of these biological weapons getting loose don’t affect the United States. But now with this move to Kansas, what do you think will happen to our food supply when something gets loose?
Professor Bill Kaufman has testified before Congress on how the University of Michigan is teaching all of our technology, missile guidance, rocket reentry, everything to the Chinese and even to Chinese military, and we the taxpayers are subsidizing this education.  
Do you actually believe that these Republicrats care about you in this country?
FRED BORY, DOVER

Monday, May 14, 2012

Missing FBI Agent Armed and Suicidal

For those of you who've read Chapter 22 of Cryptoscatology ("Collaborating With the Dead"), you might find this recent L.A. Times news story a tad intriguing.  Titled "Missing FBI Agent Armed and Suicidal, Police Believe," the article offers a suggestive parallel to the Steve Semon story related at the end of Cryptoscatology.  I wonder what specific case this "national security" specialist was working on when he suddenly went missing....

CRYPTOBOX



Yes, Cryptoscatology: Conspiracy Theory as Art Form is now available!  Right now the book can be ordered through TrineDay's website, and pretty soon it will be available through Amazon as well.  If you're off the grid, and choose to avoid Amazon, within the next few weeks you will also be able to walk into a Barnes & Noble--and other brick and mortar stores (those that are still in existence, at least)--and buy a copy off the bookshelf.

Monday, April 2, 2012

Cryptoscatology Featured On Fortean Times Website

David Sutton, the editor of Fortean Times, has decided to feature my recent article ("Cryptoscatology: Andre Breton and Fortean Phenomena," published in the April issue of Fortean Times, on stands now) on the magazine's website.  You can read the full article (extracted from Chapter 21 of Cryptoscatology, which the publisher informs me is on its way to the printers even as I write this) right here.

Tuesday, March 27, 2012

Camouflage Through Limited Disclosure

In the October 2007 issue of Fortean Times, I published a review of Randy Koppang’s book, Camouflage Through Limited Disclosure:  Deconstructing a Cover-up of the Extraterrestrial Presence (Book Tree, 2006).  Due to space restrictions, the review had to be edited severely.  I’ve always wanted to see the complete review in print, so I decided to post it here.

On February 10, 2007, at the Conscious Life Expo (held annually at the LAX Hilton Hotel), I met Richard Hoagland, author of The Monuments of Mars and Dark Mission:  The Secret History of NASA, and heard him tell the standing-room-only audience that Camouflage Through Limited Disclosure was (and this is an exact quote) “the most important exopolitical critique of the UFO subject to date I’ve read in decades.” 

Months later, the book was praised by no less an authority than Richard Dolan, author of the excellent book UFOs and the National Security State.  Dolan said, in part, “Koppang takes on issues most UFO researchers avoid... going beyond simple black and white arguments.”

I happen to know that Koppang is hard at work on a follow-up book (a voluminous tome) that’s going to blow quite a few minds when it’s published.  It will definitely turn your conception of UFOlogy upside down and inside-out.  Keep your eyes peeled for it.

Here’s what I wrote about Koppang’s first book back in 2007: 

CAMOUFLAGE THROUGH LIMITED DISCLOSURE:
DECONSTRUCTING A COVER-UP OF THE EXTRATERRESTRIAL PRESENCE

Author:  Randy Koppang
Publisher:  Book Tree
Price:  $15.95 (US)/£8.95 (UK)
Isbn:  978-1-58509-110-2

Since the birth of the UFO phenomenon sixty years ago when pilot Kenneth Arnold first coined the phrase “flying saucer” upon witnessing strange aerial craft hovering over Mt. Rainier in Washington State way back in 1947, numerous authors have published books that attempt to peel back the lid of secrecy on this taboo subject and reveal the inner workings of the government cover-up.  Randy Koppang’s new book, Camouflage Through Limited Disclosure, differs from almost all of them in one crucial respect:  it does not miss the main point.  There is no government cover-up of the UFO phenomenon.

Is Koppang’s book written from a skeptical point of view, like one of those many pseudo-academic tomes published by Prometheus Books’ stable of Skeptical Inquirer authors that attempt to explain away every anomalous phenomenon that has ever occurred as mass hysteria or errant swamp gas?  No, it’s not.  It’s written from the point of view of somebody who has studied the most basic tools of behavioral psychology and Madison Avenue mind-manipulation techniques to understand that the most effective cover-up is the one that doesn’t exist.

Consider the lesson of Edgar Allan Poe.  In 1841 Poe created the very first literary detective, Monsieur C. Auguste Dupin, in his celebrated short story “The Murders in the Rue Morgue.”  Fifty years later this story will inspire Arthur Conan Doyle to create the most famous literary detective of all time, Sherlock Holmes.  In 1844 Poe writes a sequel to “The Murders in the Rue Morgue” titled “The Purloined Letter” in which Dupin outsmarts the Prefect of the Parisian Police by doing what the Prefect cannot:  retrieve a most incriminating letter that has been stolen from a member of the royal family.  The entire police department has searched the room of the thief and come up empty-handed.  It takes Dupin to point out the obvious to the Prefect:  this entire time the envelope they’re searching for has been sitting safely in the letter holder perched on the mantle piece, hidden in plain view.

In Philip J. Corso’s 1997 book, The Day After Roswell, a memoir detailing his involvement with the aftermath of the infamous UFO crash at Roswell, the retired Army Colonel discusses the method his superiors decided to employ in order to most effectively distract public attention away from the UFO topic (a topic that consistently appeared emblazoned in the headlines in almost every major newspaper, almost every single day, during the late 1940s and early 1950s).  It’s a method still used to this day—to this very second, in fact—and Corso sums it up in a single sentence:  “The cover-up is the disclosure and the disclosure is the cover-up.” 

Back in 2001 and 2002 I published a two-part article in the pages of Paranoia Magazine (Issues 28 and 29) titled “Science Fiction As Manipulation:  SF’s Intersection with the Intelligence Community” in which I delineated the intimate link between various intelligence agencies and the field of science fiction going all the way back to the 1890s.  In the second part of that article I briefly mentioned the vast number of documented military and intelligence agents who were involved in the flood of science fiction B-films that poured out of Hollywood beginning in 1951.  In his book Corso claims that his military team influenced from behind the scenes the production of such films as The Man From Planet X (United Artists, 1951), the first movie to feature the alien-from-outer-space meme.  “This was called camouflage through limited disclosure,” Corso writes, “and it worked.  If people could enjoy it as entertainment, get duly frightened, and follow trails to nowhere that the working group had planted, then they’d be less likely to stumble over what we were really doing.” 

Koppang takes his cue from Corso and applies this principle to the various “limited disclosures” we’ve seen leak out of the military and the media (is there a difference?) over the past six decades.  The book is divided into three sections.  Part One, simply titled “Overview,” is among the most dense and keenly observed analyses of the current state of the UFO field I’ve ever read.  Koppang demonstrates that the UFO issue is the missing piece of the puzzle in any mainstream analysis of world affairs.  For sixty years the UFO subject has been the proverbial elephant in the room, and the purpose of this book is not only to admit that the elephant exists, but to explain how it got there in the first place and where it’s headed from here.  After all, an elephant can’t just stand there unseen in the middle of the room forever, can it?  In only 66 pages Koppang illustrates in this “Overview” how politics, psychology, media studies, and the transgressive UFO subject are all converging to form a post-postmodern field of exopolitics, a proscenium arch under which the entire theatre of geopolitics is now being enacted. 

After the neophyte student of UFOlogy has managed to plow through a curriculum of increasingly more in-depth fare like Timothy Good’s Above Top Secret, Richard Dolan’s UFOs and the National Security State, and Paul Hill’s Unconventional Flying Objects (in that order), Koppang’s “Overview” is the perfect post-graduate text to be assigned to the most dedicated student of the UFO conundrum.

In Part Two of this book, Koppang offers a brief but illuminating interview with Melinda Leslie, one of the best kept secrets in the UFO field.  Leslie claims to be an alien abductee who, following her various close encounters, has been repeatedly reabducted by military-style commandos and interrogated by them with cavalier interrogation techniques that sound suspiciously similar to those used by private corporations such as Blackwater, the company responsible for the illegal interrogation of suspected terrorists in Abu Ghraib and other concentration-camp-style prisons in the Middle East.  After reading Leslie’s highly convincing testimony, which does not lack corroborating evidence, one wonders if Blackwater has been contracted to handle interrogations of a different kind on top of their rather lucrative deal in the Middle East.

Part Three, titled “Ace in the Hole,” is devoted to Koppang’s transcription of testimony far more obscure than even Melinda Leslie’s:  that of a former Marine Corps fighter pilot named Bill Uhouse who claims to have played a formative role in perfecting anti-gravity technology back-engineered from recovered extraterrestrial spacecraft.  Uhouse’s plain spoken, non-sensational reportage gives his testimony a ring of truth lacking in those who claim to be insiders while actively seeking the spotlight of media attention.  Uhouse’s disclosure of this Unacknowledged Special Access Project was so “limited” as to be almost nonexistent.  If not for Koppang going out of his way to hunt down this information and transcribe it, the public wouldn’t even know it existed.

In this relatively short but comprehensive analysis of the cover-up that doesn’t exist, Koppang never once takes his eye off the envelope sitting on the mantle for everybody to see, if only they were willing to open their eyes. 

To order Camouflage Through Limited Disclosure, visit the publisher’s website.

 http://cdn.shopify.com/s/files/1/0231/1817/products/Camouflage_through_limited_Disclosure_large.jpg?3060

Friday, March 16, 2012

PALEO POP

To my surprise, I recently received a rather thoughtful letter from Stephen R. Bissette praising my Video Watchdog article “Charles Darwin and the Suppressed Science of Dr. Mirakle.”  He has asked for permission to reprint the entire article in a book called PALEO POP:  S.R. BISSETTE'S TYRANT® MEDIA GUIDE, VOL. 1, which he intends on publishing sometime next year.  The book will be a collection of essays about what Bissette calls “prehistoric media.” 

In case you don’t know about Bissette’s career (and if not, you definitely should), he was the artist of Alan Moore’s Swamp Thing, the co-creator of the subtly subversive retro comic book 1963, the editor of the groundbreaking anthology Taboo, and the writer/artist of Tyrant, an ambitious graphic-novel-in-progress documenting the life of a Tyrannosaurus Rex from birth to death. 

Synchronicities abound in my life, and this incident is no exception.  Twenty-four hours before I received Bissette’s letter, my wife was glancing through Video Watchdog #166 (the issue that contains my article).  She was commenting favorably on the overall quality of the layout and photo reproductions.  I said, “Here, let me show you where I first saw Tim Lucas’ name.”  (Lucas, of course, is the editor of Video Watchdog.)  From my bookshelf I pulled out all ten volumes of Taboo, something I hadn’t done in many, many years.  (Lucas’ multi-part story “Throat Sprockets” was serialized throughout Taboo's run.)  “These books spun my brain around when I was sixteen years old,” I told my wife, handing her the first couple of volumes.  I then started telling her about Bissette at great length—a subject that had never come up between us before.  Only a few days prior to that, I stumbled across Tyrant #1-4 at a local bookstore and brought them home.  Then, only a day later, Bissette’s letter dropped out of the sky and landed in my inbox.  Weirdness!

By the way, at the moment Bissette is running a series of very perceptive articles analyzing Jack Kirby and Stan Lee’s respective relationships with Marvel Entertainment (or “Godcorp,” as Steve Gerber once called the corporation in his and Jack Kirby’s satirical Destroyer Duck series).  They are the best and most insightful articles I’ve ever read on the subject.  The articles rise above being mere gossipy speculation about the ins and out of a fifty-year-old collaboration between two comic book creators and become instead, on a macroscopic scale, an analysis of the destructively symbiotic relationship between artists and the corporations that often control their destinies.  I urge you to check out Bissette’s website.