The latest episode of Steven Snider's THE FARM PODCAST has just dropped! In the first installment of this epic two-part interview, I return to THE FARM to discuss one of the greatest TV shows of all time... THE PRISONER! I've done a lot of podcast interviews during the past thirteen years or so, but this was definitely one of my favorites.
Topics include Patrick McGoohan, DANGER MAN, Orson Welles, Bertolt Brecht's Theater of Alienation, James Bond, COLUMBO, McGoohan's political beliefs, the influence of McGoohan's Catholicism, George Markstein, Special Operations Executive (SOE), Markstein's journalism career, Markstein's rumored intelligence ties, Inverlair as a model for the Village, mind control/brainwashing, MK-ULTRA/ARTICHOKE, Lincoln Lawrence's WERE WE CONTROLLED?, the Knights Templar, Artificial Intelligence, Electioneering, ESP, and the possible sources of THE PRISONER'S in-depth knowledge of mind control techniques.
If you want to listen to the entire episode, click HERE!
If you want to visit Steven Snider's VISUP blog, click HERE!
Cryptoscatology
Monday, December 8, 2025
I Return to Steven Snider's THE FARM to Discuss THE PRISONER!
The Cryptoscatology Holiday Double-Crypto Special Continues!!!!
REMINDER: The legendary Guffey Vaults are opening for a limited time only! I'm selling copies of both my first book (CRYPTOSCATOLOGY: CONSPIRACY THEORY AS ART FORM) and my 2024 collection, CRYPTOPOLIS & OTHER STORIES! *CHOKE GASP!* Signed copies of CRYPTOSCATOLOGY are $25.00 and signed copies of CRYPTOPOLIS are $25.00... or you can get both for only $40.00!!! Shipping and handling is included in the price (if you're located in the United States, that is). I'll write whatever you want in the book, within unreason. Offer applies while supplies last! If you're interested, feel free to contact me via my email address: cryptoscatology@gmail.com. MAHALO!!!
PRAISE FOR CRYPTOSCATOLOGY:
--JON RAPPOPORT, author of The Secret Behind Secret Societies
PRAISE FOR CRYPTOPOLIS & OTHER STORIES:
"The stories in Cryptopolis feel like the bloody, star-filled lovechildren of Burroughs and Delany, with each tale ostensibly one part of a greater whole; abstract limbs and organs tethered together by strained flesh. Cryptopolis will take readers on a hallucinogenic journey through worlds fractured by time and place—slipping through liminal dimensions with seamless abandon to unveil unsettling illusions and heartbreaking realities—and totally worth the trip."
--Philip Fracassi, author of Boys in the Valley
--Publishers Weekly
"Cryptopolis may end up being a gateway drug into Robert Guffey’s work. I don’t use that term spuriously. So many of Guffey’s stories in Cryptopolis
have a hard-bitten edge and gritty feel to them that I could see him
crafting a metatext about an author whose books are physically
addictive. Across the collection’s twenty-five stories and vignettes,
Guffey displays a range of interests and foci with such depth and heart
that I wouldn’t be surprised if he became one of my favorite modern
writers [...].
"Affect, the experience of emotional response, seems to be at issue in every one of Guffey’s offerings. From the opening eponymous story (which is the only outright Lovecraftian story in the collection), with its resonances of love as a torturous paralytic, to the last, 'Esthra, Shadows, Glass, Silence,' a parable of alternate lives and lost possibilities, the emotional response drawn from the reader appears to be the crux of every piece. These stories are engines designed to make the reader feel."
--Géza A. G. Reilly, Dead Reckonings
"If you want a walk on the wild side, and I mean WILD, Robert Guffey’s fiction delivers that and more. It’s as if you’re lying in the grass in a park on a calm summer afternoon, you look up, and a creature you can’t even describe is looking at you. He starts talking in an even voice. But his words are chopping reality to pieces, and when he puts the pieces back together again, and you see the new picture, you feel a need to call the police. But then you realize you’re in a new place where the last people you want to talk to are the cops. What do you do now? You’re on your own. You better have strong resources. Very strong."
--Jon Rappoport, author of The Secret Behind Secret Societies
Sunday, December 7, 2025
Pete Hegseth's Snuff Films
From Jeffrey St. Clair's 12-5-25 COUNTERPUNCH article entitled "Roaming Charges: Kill, Kill Again, Kill Them All":
Pete Hegseth is a producer of snuff films. The media-obsessed, if not media-savvy, Hegseth has produced 21 of these mass murder documentary shorts in the last three months, featuring the killings of 83 people–if you take his word for it. Hegseth introduces these kill shots like Alfred Hitchcock presenting an episode of his old TV show–without the irony, of course. There’s no irony to Pete Hegseth. No intentional irony, that is. It’s all bluster and protein-powder bravado to titillate the Prime-time Fox audience as they nibbled at their TV dinners.Who were the people being killed? What did they have in their boats? Where were they going? No one seemed to care. Pete certainly didn’t care. It was the explosion that mattered, the now you see it, now you don’t quality of the videos.
Pete’s snuff films have the mise en scène of a ’90s video game, the zombie slaughter games Pete grew up on, burning callouses onto his thumbs from obsessive use of this joystick.
The irony, lost on Hegseth, is that these are the precise kinds of videos that ethical whistleblowers like Chelsea Manning used to scrape from the secret vaults of the Pentagon and ship to Wikileaks. Videos of crimes committed by US forces. In his dipsomaniacal mind, Hegseth seems to believe these snuff films are proof of the power and virility of the War Department under his leadership. In fact, each video is a confession. The question is: will he be held to account and who will have the guts to do it?
As the Washington Post reported, the very first of Hegseth’s snuff films had a gory epilogue that he chose not to share. Shortly after the smoke cleared from the missile strike, the drone video footage showed that two people had survived the attack and were clinging to the smoking wreckage of the boat, waving their arms in the air for help. The commander of the operation, Navy Adm. Frank Bradley, ordered two more missile strikes: one to kill the survivors and another to destroy the remains of the boat and the bodies of its crew. According to the Post, Bradley was acting under the orders of Hegseth to “kill everybody.”
But the crime that left survivors shouldn’t be obscured by the crime that killed the survivors. Calling them “war crimes” doesn’t seem right, since there’s no declared war, congressional authorization or legal justification for the strikes. Serial mass murder is a far more accurate description.
To read the entire article, click HERE.
Saturday, December 6, 2025
Humor Virus Proof #1,668!
In November of 2017, I published a novel entitled UNTIL THE LAST DOG DIES, which was about a young stand-up comedian who must adapt as best he can to an apocalyptic virus that destroys only the humor centers of the brain. That novel seems to grow more and more prescient with each passing day.
From Steve Large's 11-24-25 CBS News report entitled "Comedian Accused of Threatening California Public Official After Clash During Set":
Court documents show the case allegedly stems from a comedy show at Che'root Lounge in Modesto, where surveillance video shows Anthony Krayenhagen performing and calling out a group of people that included Supervisor Channce Condit for being too loud during his set.Surveillance video from a day later shows Condit back at Che'root, allegedly complaining about Krayenhagen's behavior toward his group.
Court documents show that Condit alerted the Stanislaus County Sheriff's Office about escalating exchanges with Krayenhagen. On November 12, Condit alleges he received a message on Facebook that said "wassup? Is there still an issue?"
Then, Condit claims he called Krayenhagen and that the comedian yelled obscenities over the phone, allegedly telling Condit he is "green lit," a reference the court documents say is a go-ahead to execute a hit or action on a subject.
Court documents show a Stanislaus County detective assigned to the county's threat assessment center wrote the affidavit for the comedian's arrest warrant that says, "Due to the contemporary culture of mass casualty attacks …and political figure assassinations in the U.S…actions like Krayenhagen are treated as a serious threat and responded to directly."
To read the entire article, click HERE.
Would you like to see more "Humor Virus" Proofs? If so, you can find them in this CRYPTOPOST and this CRYPTOPOST and this CRYPTOPOST and this CRYPTOPOST!
PRAISE FOR
“By turns mystical and ashcan-real, insanely funny and grimly ghastly, Guffey’s novel cuts a zigzag trail through conventionality as it follows Elliot Greeley in his half-serious, half jesting quest for some deeper meaning to existence. If you build your life on laughs, what happens when the laughs disappear? Kissing cousin to Max Barry’s novel Lexicon, about killer language, and to Ben Marcus’s The Flame Alphabet, about language killed, Guffey’s standup debut is standout speculative fiction.”
--Paul DiFilippo, Locus
“Taps into the cultural zeitgeist…. A nihilistic
satire that takes the idea that death is easy and comedy is hard to a whole new
level.”
--Kirkus Reviews
“Guffey’s debut takes full advantage of an
absurd, unexpected premise, delivering one of the strangest dystopian novels in
a year filled with them.”
--B&N Sci-Fi &
Fantasy Blog
“Guffey’s sardonic, cleverly written comedic
debut relies heavily on absurd synchronicity, bold characterization, and heavy
irony to make its points about the apocalyptic nature of American
humorlessness.”
--Publishers Weekly
“Not only a novel unique to this [political]
moment, but one that is to comedy what Catch-22 was to war. One
of the great books of the year.”
--Adam-Troy Castro, Sci
Fi Magazine
“A playful amalgam of Andy Kaufman and Philip K.
Dick by way of Shaun of the Dead.”
--Damien Lincoln Ober, author
of Doctor Benjamin Franklin's Dream America
“This satirical tale explores the role of comedy
in maintaining a healthy democracy…. A clever concept.”
--Kirkus Reviews
Friday, December 5, 2025
WHERE DID THE ROAD GO?: The Satanic Panic
In the wake of my recent CryptoPosts regarding the never-ending Satanic Panic among the far-right (click HERE, HERE, and HERE), I recommend checking out the July 20, 2024 episode of Seriah Azkath's WHERE DID THE ROAD GO? in which Barbara Fisher and Amber, the Witch of Noccalula, discuss the ongoing negative effects of this extreme paranoia on recent American history...
The Satanic Panic - July 20, 2024:
Thursday, December 4, 2025
Santa Claus Conquers the Martians (Redux)
A beloved holiday ritual has returned to Southern California! For me, the X-Mas season means primarily one thing and one thing only: It's time for Brian Newell's SANTA CLAUS CONQUERS THE MARTIANS to take its rightful place on the boards of the Maverick Theater in Fullerton! This play is based on the not-quite-classic 1964 UFOlogical science fiction film directed by Nicholas Webster.
*SEE* Torg the Technical Wonder stride across the stage!
*GASP IN AMAZEMENT* as realistic flying saucers whiz directly overhead!
*MARVEL* at the unbelievably exotic sounds of the Martian "Pshhhhhh" Door!
If you're persistent enough, you might even persuade Torg the Mechanical Wonder to pose for a photograph with you (see below).
In 2016, the Los Angeles Times wrote, "A Fullerton holiday tradition began as an incredibly bad movie. Not
even that so-bad-it’s-good kind of thing. Just plain bad. Maybe it’s
the spirit of Christmas, but decades later, one little community theater
has embraced the awfulness of Santa Claus Conquers the Martians and turned a lump of coal into a present that just keeps giving.
"'I
don’t know how this became a success,' said [Brian] Newell. 'I had to
beg actors to do it. They thought it was a suicide show.'"
And if you want to see this "suicide show" for yourself, you have until Tuesday, December 23rd. Tickets can be ordered right HERE. If all the performances are sold out, which is most likely by this point, I suggest requesting to be placed on the wait list. In
the meantime, check out Nicholas Webster's original film (featuring
Fritz Hansen's *Astounding* Martian Furniture) directly below...
Santa Claus Conquers the Martians 1964:
And you can see the MYSTERY SCIENCE THEATER 3000 version of the film right here...
MST3K - S03E21 - Santa Claus Conquers the Martians (HD):
Wednesday, December 3, 2025
THE WARPED REALITY PARANORMAL PODCAST (PART TWO)
Part Two of my recent appearance on THE WARPED REALITY PARANORMAL PODCAST has just dropped! In this episode, we wrap up our discussion of my 2015 book, CHAMELEO, and then move on to talk about my latest book, HOLLYWOOD HAUNTS THE WORLD: AN INVESTIGATION INTO THE CINEMA OF OCCULTED TABOOS, which is now available for purchase from Amazon or directly from the publisher (Headpress)!

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