Callooh,
callay! Expressionism in the Cinema has now hit the streets! This comprehensive collection contains
fifteen essays about a wide array of Expressionist films, including my own 9,100-word
essay entitled “Here Among the Dead: The Phantom Carriage and the Cinema of
the Occulted Taboo.” Recently, I was invited
to present this paper at the 2016 ACLA Conference at Harvard. Alas, I won’t be able to make the conference,
but my friend and colleague Gary D. Rhodes (co-editor of Expressionism in the Cinema) has agreed to present the paper in my
place. A thousand thanks to Gary for picking
up the slack and offering to be my simulacrum in Cambridge for an evening.
Gary,
in collaboration with Olaf Brill, spearheaded this anthology to publication,
and did a tremendous job of choosing a diverse group of articles that spotlight
over a dozen neglected Expressionist films from all over the globe. Not only are classic German Expressionist
films like The Cabinet of Dr. Caligari
represented, but also far more obscure offerings like Károly Lajthay’s Drakula halala (a lost, pre-Nosferatu adaptation of Bram Stoker’s Dracula), Robert Wiene’s Genuine, A Tale of a Vampire… and, of
course, Victor Sjöström’s 1921 metaphysical extravaganza, The Phantom Carriage. If you’re
at all interested in this quaint and curious volume of forgotten lore, you can
order it right HERE.
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